Showing posts with label filming. Show all posts
Showing posts with label filming. Show all posts
Award-winning crocodiles
It's always great when crocodiles win awards. When a natural history programme featuring crocodiles wins an award, you know the toothy ones had a fairly significant role to play in it. Especially when the programme in question is Life in Cold Blood: Armoured Giants which just won the Golden Panda at the recent Wildscreen awards held in Bristol, UK. I like to think that our saltwater crocodiles had a part to play in winning, of course, as they featured in perhaps the most spectacular sequence in the programme - cooperative feeding on fish, which was filmed here in northern Australia. Being the scientific advisor for the crocodile half of the programme, I was able to persuade the BBC to bring Sir David Attenborough out to work with us on this crocodile sequence, because I knew exactly how spectacular it would be to get David and the crocs in shot. Working with David for a whole week was an experience we will never forget. This is someone who was responsible for getting me into a life of wildlife in the first place, and I felt this was a way of paying him back in some tiny way.
Attacked by a crocodile while editing a film
Ok, that deliberately provocative title should not be taken at face value! However, I figured that "Cleaning the croc pool and doing some NLE" perhaps wasn't quite so exciting. But yes, it's all true. Today we decided it was time to clean the underwater filming pool, as we have a film crew using it next week. Cleaning involves attaching a long hose to the pump, setting it to waste, and sucking out any leaves and other detritus that has accumulated in the filming room. If we didn't do this, entering the water would stir up sediment and reduce visibility a little too much.
Cleaning is much easier on scuba, so tanked up I got into the water and started to clean. Smaug, our large male crocodile, wasn't too impressed by all this banging and splashing that I was doing and came across to investigate. It's quite a shock, even now, to realise that your face is about half a metre from a steel barrier behind which a very large crocodile is studying you intently. I noticed he was attracted to the bubbles that I was exhaling, and hence he was following me round. It didn't take long before his curiosity got the better of him and he struck at the fence with a loud clang. Underwater, a loud clang sounds more like someone dropping a pin on the floor. At least, to insensitive humans such as myself. However, with my face mere inches from his crashing jaws I was in no doubt what was going on! For just the briefest moment, I found myself wondering what I was doing. There I was, 2 metres under the surface with a 4.5 metre (14.5 ft) saltwater crocodile trying to get at me. The only thing separating us was a steel mesh barrier. A very strong one, it must be pointed out, but the feeling of being in the wrong place at the wrong time is a hard one for your mind to shake off.
Of course, it all looked absolutely spectacular and I wished I had an underwater camera with me. That is, naturally, the entire point of the facility. It is a completely unique way of seeing saltwater crocodiles. The fish swimming around my head didn't seem too impressed, though - they were more curious what on Earth I was doing down there too. By this time the floor was clean and I was getting cold. Next time I will persuade the film crew to avoid coming at the coldest time of year!
As for editing the film, well that all seems rather mundane after that little story. But we're pretty pleased with it. It's a 3 minute short film about crocodiles, with music and sound effects but no narration. There are sumptuous images of crocodiles and habitats that we filmed in DVC PRO HD late last year, and it's all coming together very nicely. I wrote the music in a few hours, but the biggest challenge was matching it with the images. Our NLE software isn't really equipped for music synchronisation, so I did it the old fashioned way. Anyway, it has reignited our appetite to produce longer films, without a doubt. It also justifies the purchase of our new plasma HDTV because, frankly, it looks stunning on there. It will soon be on display running continuously on multiple HDTV screens at Crocosaurus Cove, which will be great to see.
Cleaning is much easier on scuba, so tanked up I got into the water and started to clean. Smaug, our large male crocodile, wasn't too impressed by all this banging and splashing that I was doing and came across to investigate. It's quite a shock, even now, to realise that your face is about half a metre from a steel barrier behind which a very large crocodile is studying you intently. I noticed he was attracted to the bubbles that I was exhaling, and hence he was following me round. It didn't take long before his curiosity got the better of him and he struck at the fence with a loud clang. Underwater, a loud clang sounds more like someone dropping a pin on the floor. At least, to insensitive humans such as myself. However, with my face mere inches from his crashing jaws I was in no doubt what was going on! For just the briefest moment, I found myself wondering what I was doing. There I was, 2 metres under the surface with a 4.5 metre (14.5 ft) saltwater crocodile trying to get at me. The only thing separating us was a steel mesh barrier. A very strong one, it must be pointed out, but the feeling of being in the wrong place at the wrong time is a hard one for your mind to shake off.
Of course, it all looked absolutely spectacular and I wished I had an underwater camera with me. That is, naturally, the entire point of the facility. It is a completely unique way of seeing saltwater crocodiles. The fish swimming around my head didn't seem too impressed, though - they were more curious what on Earth I was doing down there too. By this time the floor was clean and I was getting cold. Next time I will persuade the film crew to avoid coming at the coldest time of year!
As for editing the film, well that all seems rather mundane after that little story. But we're pretty pleased with it. It's a 3 minute short film about crocodiles, with music and sound effects but no narration. There are sumptuous images of crocodiles and habitats that we filmed in DVC PRO HD late last year, and it's all coming together very nicely. I wrote the music in a few hours, but the biggest challenge was matching it with the images. Our NLE software isn't really equipped for music synchronisation, so I did it the old fashioned way. Anyway, it has reignited our appetite to produce longer films, without a doubt. It also justifies the purchase of our new plasma HDTV because, frankly, it looks stunning on there. It will soon be on display running continuously on multiple HDTV screens at Crocosaurus Cove, which will be great to see.
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